He is in his rooms in the Kenmore Hotel,
Once-gracious lady favored by the ancient city’s elite,
Now tired old harlot patching and spackling with powders and rouges
In a vain attempt to camouflage the slide toward oblivion,
Only fit for unwitting out-of-towners
And those with short-term business transactions to ply
(He stays there out of nostalgia, perhaps,
Or possibly because they’d let him through the door without question
Back in those days when that was far from a given,
Or maybe because it was the trumpet players’ place,
The story being that Bunny Berigan had once left a horn
As payment for an outlandish and fabulously overdue bar tab.)
He is holding court with a local features writer,
Another interview in another town,
(Ostensibly a one-on-one sit-down,
But his suite more like Sears the weekend before Christmas:
Band members doing walk-through warm ups,
Friends old and new darting in and out,
Lucille frantically mother-henning the whole process)
Juggling many hats as he speaks,
Part-time salesman for semi-herbal quasi-diet aids,
Mirthful mangler of malapropos,
All rolling forth with with an air of street-level entrepreneurship,
But there is a more stolid, settled quality about him now,
The assumption of the mantle of icon
(Bestowed upon him by a continent
Far from his birth, but still)
And the time comes for him to begin the warm-up,
Starting with a high note here, a low note there,
Until he finds one note, that note,
A thing not constrained by lead sheets, acoustics,
Indeed any human construct at all.
On the street outside, two young men,
All stingy brimmed hats, narrow ties,
And not-quite top-line silk mohair suits
(Flipped in and out of the pawn shop
Any number of times, but still)
Shoes shined to a military gleam,
Walking with a gait which implies
That they are hustlers, yes,
But men of substance, nonetheless.
One of them hears the note,
And wonders aloud, Man, who’s got a horn like that
Around this neighborhood?
(Neither of them deign to look up toward the hotel,
As, for them, threat and opportunity
Is something that exists strictly at street-level)
But his partner grunts dismissively,
Never even breaking stride,
Man, just some old damn fool
Playin’ some old tom’s records.
had the pleasure of seeing him live at the Latin Quarter
Another gem from your pen. The last two lines can be interpreted in so many ways.
Well done from me.
Oh Gosh. That spackling and patching…I am familiar with these attempts to be the best we can be as we age.
Captured the mood so well. Wonderful piece (love Louis and Ella together)
This scene is very engaging. I found myself picturing the whole thing while reading it. Nice flow.